I was glad this didn’t turn out to be another Thanneer Thanner or Kathi (apologies for mentioning both these films in the same sentence). I understand that movies are a mass medium and having political commentary and criticizing the people in power are important but the problem with cinema is that something is considered a cliche so soon. It’s the writers’ responsibility to put forth their message in as non-cliched manner as possible so that the target audience both get the message and are also able to enjoy the film. Very few films get this balance right. And Aram isn’t one of them.
September 14, 2017 by Guest Author
The Lohitadas-Sibi Malayil-Mohanlal trio has given some of the finest movies for Malayalam cinema (‘Kireedom’, ‘Bharatham’, ‘Kamaladalam’ and many more) but even in their terrific resume, ‘Dasharatham’ stands out.
August 11, 2017 by Ajay
It is unreasonable to expect every sequel to be a 22 jump street, especially given the quality of sequels in Tamil cinema till now. But after Power Pandi, I genuinely had hopes for Dhanush as a filmmaker but VIP 2 hits every check box that you would expect that could go wrong with any sequel. It even has actual scenes from the first film to remind us of some of the “jokes”. Even as a standalone film, without comparing it with VIP, this doesn’t work out. It has an almost similar story, jokes and buildup elements as the first one that even someone who liked the first one (not me) would find it hard to digest it all over once again.
July 23, 2017 by Ajay
“Oru kadha sollatta” asks the cartoonized Vedha, breaking the three and a halfth wall before the movie begins, thereby making us question our own morality and judegement for the next 2.5 hours of mind blowing filmmaking. We get ready to listen to the story of a protagonist cop chasing the antagonist villian but Pushkar and Gayathri unexpectedly hit us with such an astonishing story that we also feel like one of the characters in it. We can see the amount of detailing that needs to have been taken care of for writing a screenplay like this and seemlessly integrating it with a mythological story that is used to teach moral lessons to kids. This film also teaches us moral lessons, but the only difference is that it doesn’t treat us like kids.
April 8, 2017 by Ajay
If you didn’t like the film and don’t like reading good things about it, I would suggest to stop here and head back. I loved it and I understand if you have a hard time agreeing to that. Not many films make us discuss about it the whole night after watching it. The emotions that Mani Ratnam makes us go through and the way he intrigues us to appreciate the intricacies in various aspects is phenomenal. And to top it off we even get ARR, Sreekar Prasad, Ravi Varman and some exceptional performances by Karthi(more on this later) and Aditi.
January 13, 2017 by Ajay
I know what you are thinking. Why? I’ve been asking myself this question ever since I decided to watch the movie. But I still went with it. After all, how will my trip to India be complete without watching a shitty movie in theater, right? And boy did I choose the perfect movie for that. Bairavaa was beyond repairable. How are we supposed to take it seriously after Vijay is compared with Sachin, Dhoni, Ricky ponting and the likes 5 minutes into it? Am I supposed to believe that everyone had a straight face while writing and filming scenes like these?
January 3, 2017 by Ajay
“Climax munnadiye therinjitta, padam avlo interesting ah irukkathu la”
“Athu namma katha solra vithathula irukku”
The debutant director Karthick Naren perfectly sums up the movie by making the characters who narrate the film speak out these lines. We are shown the incident based on which the whole story is going to revolve around at the very beginning and the details of those are revealed slowly. But are those details real? Is that how the incident actually happened? Are we being deceived or is the narrator deceived himself? All these questions are answered in the brilliantly structured and shot Dhuruvangal Pathinaaru, which makes it a clear contender for being the one of the best Tamil films to have come out recently.
December 7, 2016 by Guest Author
திரு சோ ராமசாமியின் நீண்ட கால வாசகன் / ரசிகன் என்ற முறையில் அவரைப் பற்றிய என்னுடைய சில கருத்துக்களை பதிவு செய்கிறேன்.
திரு சோவைப் போல தேசப் பற்றுடையவரும் , தேசத்தின் நன்மைக்காக சிந்திப்பவரும், எனக்கு தெரிந்த வரை யாரும் இல்லை என்பது தான் எனது திடமான கருத்து. அதேபோல் தன் மனதுக்கு பட்டதை யாருக்கும் அஞ்சாமல் வெளிப்படுத்தியத்திலும் அவருக்கு நிகர் அவர் தான்.
November 12, 2016 by Ajay
I have so many questions. Firstly, why did a 2 hour portfolio video of Manjima Mohan face so many issues and take so long to shoot? If the other guy who keeps tagging along with her for no particular reason was the one creating all the problems, he could have been replaced with anyone else easily. Why did they spend so much time writing a story and a screenplay just to show how beautiful someone looks? It’s not like anyone is going to notice all these when people are too busy drooling at Manjima. The production value seemed a little over the top for a portfolio video, in my opinion.
October 15, 2016 by Ajay
Here, I try to talk about my interpretation of this scene in Thalapathi where the brilliance of it mesmerises me every time I watch it. Apart from the adrenaline rush Rajini gives us with his charisma and the to-go dialogue that every single person who has watched this film has used at least once in his life whenever he is being threatened by someone, this scene contains a lot more to look out for. This just a result of boredom and inspiration from various video essay channels out there in YouTube.
Category English | Tags: , Arvind Swamy, greatest scene in tamil cinema, Ilayaraja, Mammooty, Mani Ratman, mass scene in tamil cinema, mass scenes, rajini, rajinikanth, Santhosh Sivan, tamil cinema, tamil film, Thalapathi | No Comments